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MOGWAI - HARDCORE WILL NEVER DIE, BUT YOU WILL

What title, what a work and what a band. The seventh studio album Mogwai has its predecessors in every way, the opposite: Mogwai create the previously perfect repeatedly provided with a cherry on top and in a higher, probably specially made for you to catapult division. Do you have their genre has repeatedly declared dead and the millennium itself reconsidered now is all doubts disappeared and the quintet has written ten songs that are bursting with energy and sound of abundance only.

In Unlike its predecessor, The Hawk is Howling Mogwai have switched back in relation to the virtuosity of a corridor, which does not detract from the overall work yet. To make it a chord or a riff to interpret minutes so that they grow up just a few tones to the sounds of an orchestral scale. Every note seems to contain its own score and to be more than his own sound. In mogwaischer manner is made the old fort up / down and pressing / behavioral patterns. The wheel must be reinvented not just when it runs. The guitar with the effects turned up wearing a long way and bass and drums in a regularly hurl at the wall. If the concept Cinematic should only be used for a band, then it would probably be after such publication Mogwai.

was produced Hardcore Will Never Die, But You Will by none other than Paul Savage, who has sat on Mogwai's debut behind the controls and is responsible for the typical sound is. It is what remains. And that something is usually good oyster.



THIS IS HEAD - 0001

Malmo, Sweden. All these terms refer, of course, an expectation. Singer / songwriter, or do a record that tries to distance and capture the melancholy of the country. It also contains a cryptic name of the publication, but then it this press release. Questions, questions, expectations of expectations. Remedy now only the CD-Deck ... and Play!

have advantages not too long ago found the musicians to each other and decided to make music. Their claim? writing time and place-less pieces that could come from Brooklyn, Paris and the German province. A fairly high expectations for a band that is so young and so inexperienced, so. End of 2008 have included the musicians in their own studio, experimenting and rumgetüfftelt and now finally appears the debut of Sweden.

to describe the music is like trying to square the circle. Influences are definitely the Krautrock of the late 70s and the disco beats of the 80s. Drum is spun around a framework of indie and Sythiepop. Drumming meets a dreamy guitars and overdriven spherical effect shelf. Some hail the effect is monstrous, then placed appropriately. Time and place to hang out this publication, the question that arises after the hearing, however, is whether an assessment now as good or bad. Such a young band, you can rotate it certainly does not knit, for your own bar has been created from the start pretty high. Hopefully, developed this band because they have potential.

all reviews published by the red caterpillar . In the photo: Owl in the Sofabar to hamburg.